Nicholas "Nick” Broomfield (born 30 January 1948) is an English documentary filmmaker. His self-reflexive
style has been highly influential, and was adapted by many later filmmakers.
Nick first got interested aged 15 when discovering his love for photography on
a foreign exchange visit in France. Nick was originally influenced by the
observational style of Fred Wiseman, and Robert Leacock and Pennebaker, before
moving on largely by accident to the more idiosyncratic style for which he is
better known.
Nick Broomfield’s style of work conforms largely to the
performative mode of documentary. His earlier work may differ, it wasn’t until
1988 that Broomfield first appeared on camera in his film ‘Driving Me Crazy’
because of a longing to show the process of the making of the documentary, with
the dead ends they hit, the failed interviews and the arguments.
In his more modern work, Broomfield has taken up the style of
‘Direct Cinema’ in which he gets non- actors to play themselves
in realistic situations based on real events with pre written scripts
based on research and actors accounts of what has happened to them. Real
locations are used and only a very small documentary crew are involved in the
making.
The work of Nick Broomfield has influenced us to not use
actors but to find people to play themselves so that in our documentary they
can speak from experience and from their own opinion. We think that this will
have more of an effect on our target audience because it will show true emotion
which would be difficult to show if we had actors that hadn’t experienced the
situation in their life.
Nick Broomfield made three very successful documentaries in
which is best known for. These three documentaries are ‘Kurt & Courtney’,
‘Aileen: Life and Death of a Serial Killer’ and ‘Biggie and Tupac’. Two of
these are crime based documentaries (‘Aileen: Life and Death of a Serial
Killer’ and ‘Biggie and Tupac’). Nick Broomfield starred in these documentaries
himself which makes them seem more realistic and true to the audience.
Link to our own
work
Within our own documentary, we will be following the style
of a ‘Direct Cinema’ as we will be getting non-actors to play themselves. The
reason that we are doing this is because we believe that non-actors will give a
true meaning and understanding of what they are saying which will have more of
an impact in comparison to having actors.
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